Records | ArchivesSpace at the University of Iowa

Marvin Sackner purchased a drawing by Andrew Blythe at this exhibition from stuart shepard gallery, Wellington NZ. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Outsider Art Opens Windows to Fierce Inner Turmoil / Glueck, Grace; Wolfli A., 1999

Item

Identifier: CC-31785-33301

Scope and Contents

Review of "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Outsider Art Opens Windows to Fierce Turmoil / Glueck, Grace; Wolfli A., 1999

Item

Identifier: CC-31797-33314

Scope and Contents

This is a review of the exhibition "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Outsider Art / Turner, Elise; Young P; Finster H., 1993

Item

Identifier: CC-01499-1532

Scope and Contents

The Sackner Archive holds three unique artist books by Purvis Young, the Miami artist who is the subject of this article. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

point d'ironie. No.44/Jul / Hugues Reip ; Melanie Counsell., 2008

Item

Identifier: CC-48396-69422

Scope and Contents

This issue consists of page size drawings, four of which are rough pictures of heads, skeletons or creatures and four are abstract geometric designs. It is not clear which artist created which set of drawings. The artists write, "This publication serves as a follow-up to our collaboration that centered around ideas of duality/affinity. Though our repective works are not of a similar style, we wanted to use the platform of point d'ironie to create a dialogue about these different narratives and abstractions within the work, while mapping out the contours of this parallel universe on paper." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Provisional map of Spain and Portugal / Wolfli, Adolf., 1994

Item

Identifier: CC-31219-32688

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Queen Hortensia on the Telephone / Wolfli, Adolf., 1994

Item

Identifier: CC-31220-32689

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Rahma Margarine / Wolfli, Adolf., 1994

Item

Identifier: CC-31223-32692

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Raw Creation: Outsider Art and Beyond / Maizels, John ; Baines P ; Cardinal R ; Richter A ; Knupfer J ; Wolfli A ; Dubuffet J ; vanGenk W ; Zinelli C ; Lattier G ; Walla A ; Garber J ; Darger H ; Murry JB ; Finster H ; Bruly F., 1996

Item

Identifier: CC-27235-27727

Scope and Contents John Maizels is the editor of Outsider Magazine and a practicing artist whose themes feature untranslatable hieroglyphics and assemblages incorporating surrealistic, whimsical creatures. Examples of these works are held by the Sackner Archive. In the introduction to this book by Roger Cardinal, Jean Dubuffet is prominently mentioned as bringing the importance of Outsider Art to the contempory art public. This profusely illustrated book depicts several examples of Outsider Art that have great affinities to works done by non-outsiders held by the Sackner Archive. Thus, drawings of squat, human-like figures done by Don Sylvester Houedard in the 1950's are similar to those done by Cesar Lombroso in 1864 (p.12). Gary Goldstein's "Molieres Ausgewahlte Werke" of 1989, an artist book in which painted abstract and primative human portraits are superimposed over the pages of the text of this printed German book recall a book done by Marcel Reja in 1907 (p.12). Genevieve Seille's contemporary...

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Raw Vision. No.9/Sum / Saholt R., 1994

Item

Identifier: CC-03702-3773

Scope and Contents

Includes essay and illustrations of the work of Richard Saholt, who creates politicized collages refecting his mental trauma from WWII. The periodical is edited by John Maizels. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Regressions toward the Primordial / Marks, Ben; Wolfli A., 1989

Item

Identifier: CC-05926-6038

Scope and Contents

The Other Side of the Moon: The World of Adolf Wolfli was exhibited at University Art Museum, Santa Barbara, California. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Revelations: Visionary Content in the Work of Southern Self-Trained Artists / Cullum, Jerry, editor; Finster H; Murry JB., 1986

Item

Identifier: CC-17212-17570

Scope and Contents

This article was written in conjunction with the exhibition at The Atlanta College of Art Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Sanctuary] / Anonymous., 2011

Item

Identifier: CC-55277-9999037

Dates: 2011

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Sans Titre (priere a Marie) / Gallieni, Jill., 2012

Item

Identifier: CC-62098-10004491

Scope and Contents Jill Galliéni was born in 1948 to an American mother and a French father, and has always lived in Paris. Her father was an actor. She was brought up by guardians until the age of seven, when her father took over her care. She began creating her strange fabric dolls at a very early age. She turned to prayer towards the age of thirty as a way of helping her to rebuild her life and free herself from the vicious mental traps that were stopping her from living her life to the full. She initially wanted to "speak" through the medium of words, but, finding it unbearable to see sentences written in her own hand, she invented sentences from prayers "“ always the same, repeated hundreds of times. These formed tightly bundled garlands so that the meaning of the prayer would remain a mystery. The prayers are addressed to Saint Rita, patron saint of lost causes, and refer to situations, people, her own circumstances, and so on. They feature imitations of the written word or superimposed layers...

Dates: 2012

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Sans Titre (priere a Sainte Rita) / Gallieni, Jill., 1990

Item

Identifier: CC-62177-10004523

Scope and Contents Jill Galliéni was born in 1948 to an American mother and a French father, and has always lived in Paris. Her father was an actor. She was brought up by guardians until the age of seven, when her father took over her care. She began creating her strange fabric dolls at a very early age. She turned to prayer towards the age of thirty as a way of helping her to rebuild her life and free herself from the vicious mental traps that were stopping her from living her life to the full. She initially wanted to "speak" through the medium of words, but, finding it unbearable to see sentences written in her own hand, she invented sentences from prayers "“ always the same, repeated hundreds of times. These formed tightly bundled garlands so that the meaning of the prayer would remain a mystery. The prayers are addressed to Saint Rita, patron saint of lost causes, and refer to situations, people, her own circumstances, and so on. They feature imitations of the written word or superimposed layers...

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Shooting Stars / Finster, Howard., 1980

Item

Identifier: CC-12657-12898

Dates: 1980

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

ArchivesSpace at the University of Iowa

Showing Records: 61 - 80 of 98

No.1 / Falkenstein, Klaus ; Dohl R ; Gomringer E ; Holz A ; Huelsenbeck R ; Marinetti FT ; Queneau R ; Ernst M., 1987

Noah Erenberg / Erenberg, Noah., 2014

Noir/Blanc: Mondes Interieurs / Blinko N ; Nadau JP., 2001

Obsessive Drawing / Hipkiss C., 2006

Outsider Art Fair / Zanelli C ; Finster H ; Blythe A., 2009

Outsider Art Opens Windows to Fierce Inner Turmoil / Glueck, Grace; Wolfli A., 1999

Outsider Art Opens Windows to Fierce Turmoil / Glueck, Grace; Wolfli A., 1999

Outsider Art / Turner, Elise; Young P; Finster H., 1993

point d'ironie. No.44/Jul / Hugues Reip ; Melanie Counsell., 2008

Provisional map of Spain and Portugal / Wolfli, Adolf., 1994

Queen Hortensia on the Telephone / Wolfli, Adolf., 1994

Rahma Margarine / Wolfli, Adolf., 1994

Raw Creation: Outsider Art and Beyond / Maizels, John ; Baines P ; Cardinal R ; Richter A ; Knupfer J ; Wolfli A ; Dubuffet J ; vanGenk W ; Zinelli C ; Lattier G ; Walla A ; Garber J ; Darger H ; Murry JB ; Finster H ; Bruly F., 1996

Raw Vision. No.9/Sum / Saholt R., 1994

Regressions toward the Primordial / Marks, Ben; Wolfli A., 1989

Revelations: Visionary Content in the Work of Southern Self-Trained Artists / Cullum, Jerry, editor; Finster H; Murry JB., 1986

[Sanctuary] / Anonymous., 2011

Sans Titre (priere a Marie) / Gallieni, Jill., 2012

Sans Titre (priere a Sainte Rita) / Gallieni, Jill., 1990

Shooting Stars / Finster, Howard., 1980

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